Misadventure

There were ripples around the room. Mainly because the toilet u-bend had been smashed during the party last night. A palpable silence was dutifully poked by the small crowd which shuffled uncomfortably from foot to foot to foot, like a group of sheepish college students waiting for the cue to start a flashmob. None came.

The police were on the way. The detective had sounded grumpy when he’d ordered them all to stand still until he could get there, but that could have been the fried egg he was chewing, especially since a big glob had dripped onto his tie while he was talking to the hung-over party people. It was his favourite tie, too. The one his favourite barmaid had once told him “brought out his eyes”. He wasn’t too sure what that meant, exactly; he just liked the way R2D2 was dead centre if he tied it right.

He barked a gravelly cough as he pulled into the long, curved driveway in front of the guesthouse, the chipped gravelled surface echoing him. Checking to see no one was looking, he buried his cigarette butt under the stones, not noticing the long tendrils of cat poo which curled up at him. he driveway was a giant litter basket to a loose alliance of two Siamese cats, both of which were peering at the man as he looked first through the windows, then the keyhole before knocking on the front door.

Nothing happened.

Gingerly, the detective pushed the door open and stared at the low puddle of water which was lapping at the ball and claw-footed entrance table. A paper plate with what appeared to be nik naks on it floated past.

He called out.  A muffled voice came from a door behind a spiral staircase. On inspection, it belonged to a man wearing a muffler. It had been chilly last night.

The detective took in the scene. Possibly ten youngsters wearing what could only be described as fancy undress. Partially naked, somewhat covered by feather boas, voluminous hats and items of spandex they all gazed at their feet. On a purple sofa, one was obviously asleep, face down, arms at his sides. One of the cats was sitting on the reclining man’s backside, forming an even more bizarre image. 

Muffled man sobbed.

So, what’s the story here? The detective asked, clueless as to forming his own conclusions.

Phobe, the man gasped. He held out his iPhone, and waved at it as if he never wanted to see it again.

The detective held it between his fingers as if it was a dead bird. Muffled man shuffled through the water and retrieved it, swiped his way through to the saved video screen. Pressed play.

The detective looked at the small screen. It had been filmed in this room, that he could see, but a neater, less damp incarnation of the room. Ten kids sitting quietly, reading, knitting, playing chess. One suddenly appeared to have some sort of seizure, and horrible music blared out. Inexplicably, the room was suddenly alive with dancing party people with a mixture of hats, lycra and... nothing. Hell’s Village People.

Muffled man shook his hand at the phone as the music stopped. He had goosebumps on his legs where his cycling shorts stopped. A woman behind him sniffed and brushed a blue feather off her cheek.

Plaaakkkk, muffled man said. Plaaaaaaakiiid.

The detective looked again at the person on the sofa who hadn’t moved despite the noise on the phone. The cat looked up at him, stretched and stepped onto the back of the seat, twisting its claws into the upholstery.

The man was not asleep. He was dead.

All at once the room began to spin, but it was just the detective trying to get his head around last night’s nightcaps. 

What’s going on?

It wasn’t our fault/I promise/we didn’t mean any harm/and now he’s dead, a girl gushed the sentence as if it was one breathless word.

We all planned to do the Harlem Shake and have a party but Mickey didn’t get up and at first we thought he was just planking and then we realised he wasn’t breathing so we thought maybe he’d thought up a new one, uh, corpsing, so we left him, but then he was still there this morning and now he’s.... she blabbed

Deb! Muffled man gasped.

The detective shook his head and splashed his way out of the room. In the driveway, he called the coroner. A hooting distracted him- looking up, he saw a naked man squatting on the roof of the house near the chimney. Twit twoo, called naked man.

Damn owlers, muttered the detective, fingering his stained tie.

Bin day

The hunter is hunched over in the morning fog, his shoulders squared by the chill and the years of bad living. It’s been a long time since he could stand up straight- decades since he lined up with his classmates outside the hall, lines shining on his blazer from when he tried to iron it once, proud.

He’s shaking slightly, the wind whistling through his dried lips onto his deserted cemetery of a mouth. Nobody else is around, and that’s good. It’ll give him a chance to get to the good stuff: the bottles, cardboard and other salvageables in the bins left out on the pavements for the garbage truck.

Lights are switched on and then angrily off again in the distance as sleeping dog owners are roused by their barking pets. An burglar alarm perhaps a kilometre away has been whining for some time.

He flips the lid on the wheelie bin. The stench had made the owner of the bin retch a little when he dragged it outside, but the hunter doesn’t notice it anymore. Oblivious to the leftovers wrapped in newspaper, the nappies and sanitary napkins folded in on themselves, he follows the clinking sounds all the way to the jars and bottles. Slips them into his sack.  Holds one up to the amber of the streetlamp and coughs. Spits.

On to the next one. He’ll make a few bucks with this load. In his mind he’s mixing his fantasies- in one he’s buying bottles and bottles of cheap wine and throwing a party outside the furniture store where they’ve set up huge speakers and blast loud music on Saturdays. He’ll dance on the pavement and say funny things to the people who will sidestep past him into the road, frowning, not making eye contact. In another dream, he’s parking his car outside the pizza restaurant, going inside for pizza and beers, and then tipping the car guard with abandon, because, shame, the car guard probably comes from some hellhole of a country where he couldn’t be a radiographer anymore and had to flee with his family.

The glow of dawn brings him back to the street. The birds sound like they’re offering each other coffee up there in the trees. Coffeecoffeecoffeeteateatea, they cry.

He swings up the lid to the bin. Blinks. A doll’s hand wrapped in an old blanket has startled him. Then it twitches.

He drops the lid of the bin in alarm. Who to call? He tries to imagine who looks after babies in bins. Not the police, surely, the swaggering, barrel-chested men who have too often rolled him into their vans with unnecessary force. No. Too violent. Not the homeowners who scream at him to stop lying, stop drinking, to get a job. Not the hookers with their vacant faces, the only light in their eyes are drug-fuelled embers. He can’t call his mom or dad. They’re long dead. Down in the tangled grass amongst the other old bones, an unmarked wooden cross above them.

He thinks about running to the night shelter, but he’s not allowed there, either, since the confusion about the cold showers; he’d forgotten to check that it was the men’s turn- how the old woman with the endless folds of breasts and belly had gasped at him with her toothless mouth and clutched her facecloth to her body, as if it could have helped redeem her modesty.

There’s a rustle in the bush next to him, and a rat slips into the drain. He thinks about the children’s home nearby, and the kids in their massive jerseys and shorts, all cheekbones and gap-teeth. He considers the jail cells where he’s seen the kids become dead-eyed killers, slaves to the gangsters.

He thinks about life on the streets. The scraps, the pain the noise, and a trickle of snot dribbles out of his nose as he weeps for the baby and walks away, old wine bottles clinking against his hipbones.

The truck grinds and rumbles in the distance.

The closure of door 42

There’s graffiti scrawled on door 42,

In crayon, at knee-height, in brown and in blue

It’s scribbled in anything but orange and grey,

And nobody’s willing to wipe it away

There’s nobody living in room 42,

The bed is uncovered, steel lines in stark hues

The window is dusty and covered with a grid

A lid, a lid, a rusty old lid

A soft draught is blowing in room 42,

It carried the swallows through the deep blue

Of the deserts and oceans that kept me from you

Of the oceans and deserts that kept me from you

A sentence has ended in room 42,

A period, full stop; no, nothing new

Out in the exercise yard the flag blew

As they carried the coffin carrying you,

As they lifted the casket,

The child-sized casket,

And the preacher, he asked it:

What’s the meaning of life?

And I laughed.

42.

42 and the Lost Boys

My childhood: There are the Lego blocks. Bright primary-coloured houses with ramps for Matchbox cars and narrow windows for knights to defend with their tiny bows and arrows. Cups of orange squash grabbed on the way out to the road, where boys and girls skid their bicycles into wheelies. I scramble into trees, and watch ants in their minute traffic jams along the crumbling red bricks.

Running back into the house. Upstairs to the TV room. Watching black and white movies which have forever trapped actors as kids in overalls chasing their dogs or as men on ships, about to be dropped on bomb-scarred beaches. Orchestral themes exaggerating the triumphs and defeats.

Slipping on an LP record. Elvis. Tears shed at his death, and still more tears to be cried when John Lennon was gunned down. I wept at both, these old men who belonged to another era. Elvis was 42 when he died. Lennon, 40. Although I was just a child, I was deeply moved by their voices, preserved in vinyl.

The odd world of adults existed beyond my borders. It was one of laughter and worry, grim-faced sometimes, and occasionally whimsical. They were there to provide impulses on which I’d get to journey- day trips to places that smelled different, where my brothers and I would play in the gardens of country pubs, awkward alliances formed with the local kids for the day.

Those times have nothing to do with being an adult myself:

Watching bank account sands slipping into an hourglass of debts. Itching to run away to somewhere next to the sea, when the sea is just a reminder that time ebbs and flows and cannot be contained. Walking in the forest, and counting the ages of felled trees. Stroking the coarse bark, and wondering just how hard the rain fell in that long summer, to produce such a wide ring.

Now and then I’ll go to functions at my children’s school, and see children who, for an instant, look just like kids I knew decades ago. That’s confusing- as if, somewhere, the bruised and muddied boyhood friends I had never grew up, but they’re still hiding from each other on the building sites and meadows where we used to run wild. Lost Boys.

My own kids hurtle around the park, making boats out of leaves on the streams, and gather shells in heaps at the beach before skipping pebbles through the breakers. I’ll join them, but they don’t know my secret- It’s not this outward husk who is showing them the best ways to climb a tree, or marvelling at a rock pool ecosystem, it’s the boy Scott, who can jump off the roof of the garage, hold his breath in the swimming pool for two minutes and make moon buggies out of wire and boxes.

In that private world in my head, the Lost Boys and I gather around to make stupid jokes, do crazy things, like old, dead musicians trapped on scratchy records and actors who get to live in a fantasy world forever, of flickering images and endless fun.

Tomorrow I am 42, the same age as Elvis when he died an ineloquent death. I have outlived many, but they’ve never left. The Lost Boys never do.

There’s a thundercloud forming on the horizon. I’ll be the kid in the distance; dashing through the rain and splashing in the puddles while the adults twitch fearfully at their curtains.

The meaning of life, the universe and everything else? It’s to keep your Lost Boy alive, even at 42.

Traces

The thrush bobbed out from under the Milkwood tree, hopped across the grass and stabbed at the mossy stone with its dull orange beak. Flapped off with a trapped grub which writhed a farewell wave. The sun rose on the enclosure for the midday matinee of leaf-shadows dancing and gnats rolling over each other in the air.

Beneath the damp soil a small hand brushed at the silver brooch pinned to the frayed cotton and lace pinafore. Inside the brooch, the intricate workings of a tiny clock had long-since become a matted mess of metal, trapping time eternally at 3.15.

The mulch the box had become shifted with the movement, and there was silence.

Up above, the vandalised stonework could only hint at the tragedy below, leaving the history untold. Green dipped in the cracks where lettering had once been carved, the dates alone suggesting tears and disappointment.

The blue expanse birthed a ball, which skipped across the space, bouncing off the low walls. There was laughter as a child leaped over and picked it up, and a man followed, breathing heavily. He was laughing as he sat on the grave, a smooth seat in a pleasant place.

Somewhere, out of sight and beyond the road, two crows fought over a carcass amid the criss-cross of tracks left by the hooves of the horses.

In case of glass, force out emergency

It’s hard to keep up. Not with life, because that has a habit of rolling on relentlessly.

There go the trees- well, not going anywhere- just waving their branches gently, nature’s fingers plucking a whistling breeze out of an invisible harp.

There gasps the sea, exhaling against the rasping sands, the gulls swooping in an endless loop in and out of the breakers.

There stand the mountains, saurian mounds not doing much or shifting, but forming a large grey wardrobe into which the orange orb slips when the shadow-time comes.

The small creatures rustle and fret and twitch and obsess- never discouraged from pursuing that which they need to replenish the blood in their veins. If you could see them all at once, you’d gasp at their seething masses.

Where do you turn?

To the seasons, to hope, to crises and resolution. To calm and to fear, anxiety and peace. To feasting and famine, to life and to loss.

The winds fill the flags, buffet sails and scatter ashes.